FIELD module focusing on bridging disciplines across the Art School as well as between ourselves within the first year Ceramicists.
In our second Trimester we were asked to invite each other for a metaphorical and collaborative tea in the FIELD project ‘Tea for Two‘. In pairs we were set a challenge to create a tea-set representing or coming from our cooperation.
Unfortunately, my accomplice couldn’t be available to be engaged in this quick and immersive project. So instead I invited to the tea party with ceramics a different, but still very domestic material: textiles.
It is ingenuity and adaptivity of using different materials laying around, for her own advantage that I admire about Eve Hesse and her expressive sculptures. I found these qualities useful in this project and I could extend them slightly, but there’s always more to learn.
However, I was glad that my tea partner could join me few sessions and add some of her thoughts into the project, even try and create a design together straight after introduction of the project.
The print workshop with Ann Gibbs helped me develop and focus the theme of the project into a consistent thread, that I could develop even further; joining domesticity containing tea-set and textiles with ideas of containment and the absence of it – homelessness and precariousness.
Plunged into paper and ink and the art of printmaking I could go and explore this field with screen-printing induction in our print workshop and create a small booklet of my simple screen-prints which then I attempted to bound by a thread.
Part of the FIELD module was the external (2., ) collaboration in which I worked within a group of an illustrator, fine artist and graphic designer. It was rather interesting how we all contributed to our short group project in different way. It stimulated creation of new ideas I could really explore on my own.
I must say the way I changed my working in FIELD influenced how I’m planning to work in the future. With deep skills in working with plaster and creating good quality, more complicated plaster moulds, slips, printmaking, incorporating textiles but in future even more materials into my ceramics or the processes of manipulating clay, or narrative giving qualities of the material and tools I’m using.
I could play with deep concepts and ideas through materials, and explore the narratives they create.
When I had to leave for family matters, I could still take my work with me and create different shapes, due to the greater portability of fabric compare to clay. I could even further explore the ideas behind containment and certitude, and use and recycle my old clothes that would contain my body in past into something completely different now.
I’m even happy with my final exhibition set-up of the Tea for Two outcomes, with a good chat with Claire Curneen.
However, I would like to see my pieces finished with at least clear matt glaze, making then functional, with only the feeling of uncertainty of it’s functionality. As well as further time to explore even more surface alteration of the pieces.