Exciting and dynamic new FIELD project of internal collaboration.
Creating a complete tea set in pairs, originally only in 2 weeks; stimulating fast thinking and ideas creation, and then pushing them for production.
Grouped with Jen, I was glad I could work with someone I had no chance to meet properly before.
As she couldn’t attend the introduction presentation, I prep her through phone, so we can start generating some ideas independently and then bring them together, find compromises and set directions.
Some of the objects from “History of the World in 100 Objects” series helped me at generating ideas, how object convey the issues and thinking of its time.
Such as Russian revolutionary plate from 1921, expressing a new world order for the benefit of the worker, who is treading on the world “capital”. The plate celebrates creation of the first Communist state; in futurist style, looking at the bright, red future of peace and work for everyone, social and economical equality, utopia has never been so close.
Or Early Victorian tea set from 1840, talking about the new, industrialised and colonised world where all the aspects of a high class tea ceremony comes from across the world, sugar from South African sugar cane plantation or Indian tea from Himalayas mountain regions, even the milk, brought by new and exciting form of transport – train, to the metropole of Empire, from outside countryside.
Looking at my current time and generation, Guardian’s series on “Millennials: The perfect storm of debt, housing and joblessness facing a generation of young adults” [Guardian] the facts, figures and opinions were informative on the current issues; as well as the current threat of austerity and cuts around, especially for the youth homelessness prevention program SHYPP, who helped me too, back in Hereford.
Meeting with Jennifer, I presented my ideas around homelessness and generation struggle which she acknowledged.
Jen expressed her interest in 1970’s Staffordshire functional pottery design and the link to her home.
I was delighted as I was always interested in the modern, simple but colourful aesthetic, and wanted to achieve them in my own throwing practice.
The time when they were created also reflected the previous generation of ambition, modernity and consume, so often compared to the struggling generation of today’s young adults.
This gave us great foundation to start designing and draw ideas and designs, encompassing the themes.