Alison is one of the leading ceramic artists of her generation, and part of a radical group of RCA graduates in the early 1970s.
She took function and ornamentation as her subject to explore, focusing on the containing qualities – “both its formal possibilities and its capacity to hold and communicate thoughts and ideas. “
In her newer work (2012) she gives emphasis on the colour and the fluidity of slip application.
I’m interested to extend my knowledge of slips, as great colourant of surfaces, but now as a 2D form shaper through it’s fluid application.
As Alison I’m also interested in the exploration of ‘containment’ through the language of ceramic vessels.
However I want to focus more on the absent feeling of these qualities, related to human experience and our aspiration for permanent security and stability, or rather the normality of the constant search.